About me

Liliana Lambriev specializes in Visual Communications with a focus on Graphic and Interaction Design. 

Within almost 10 years of working in the film and advertising industry, Liliana has acquired a unique skill set in strategically developing concepts for period and contemporary and  film props, creating these prototypes as essential parts of the movies plot and setting.

She designs for the camera and the actors with a level of detail that supports the creation of the fictional world for the cast to work within and interact with, rather than simply concentrating on the details that a cinema audience might see on screen. 

Liliana’s aesthetic derives from researching a wide and varied range of periods and cultures. Her signature and mastery lies in storytelling through the medium of tangible ethnographic pieces with an interactive function, be they antique photographs, book covers, telegrams, signage, newspapers or magazines.

Her acquired knowledge from working in the film industry translates directly into her ability to work with complex Interaction Design tasks. Both require intense research, analysis and and the ability to translate concepts into graphic solutions.

While making films means to let yourself go and to indulge in a story in order to depict visions and fantasies for actors and audience, designing interactive products, objects and technologies requires a similar creative process that best serve the needs of the user.

A feeling and understanding to utilize what is needed and how it is needed, by collecting data, analyzing problems and searching for hints is essential to create prototypes and scenarios for useful and meaningful solutions to always changing challenges. Scenarios and prototypes are the key to visualize and put stories and theories into action to turn design fiction into reality.

This is where phantasy meets reality. From a strong concept to visually engaging context – Liliana’s film experience paired with Human Centered Design knowledge enables her to tell and sell stories, in a way that makes people believe in them and want them to exist.

Liliana has been part of various high-profile projects. Her work has been showcased in successful international films such as the Academy Award winning ›The Grand Budapest Hotel‹ directed by Wes Anderson, Quentin Tarantino’s ›Inglourious Basterds‹, Steven Spielberg’s ›Bridge of Spies‹ and many more.

She has a Diploma in Visual Communication Design from the BTK – University of Applied Sciences (2007) and completed the select Master Program ›IDP‹ at CIID –Copenhagen Institute of Interaction Design (2015).

Please find my Resume: here